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Posts from the ‘Theology’ Category

The Templeton Foundation: Boycott, Eschew, Avoid . . . Just. Say. No.

Roxanne, you don’t have to put on the red light . . .

I was a member of a swanky sorority at Emory for about five minutes.  I was enamored with three older girls who had played Rizzo, Frenchy and Patty to my Sandy in the Emory Ad Hoc theater performance of Grease, and I was flattered that cool girls wanted to be friends with a country mouse like me.  I mean, some of the girls in their sorority smoked cigarettes, and some had boyfriends whose families owned private jets.  But I quit the sorority during my sophomore year. Read more

[Robert Hall] It All Comes Down to Silence

Here at profligategrace.com we’re grateful to host the Rev. Robert Hall, who recently retired from 47 years of ministry in the Southwest Texas Conference of the UMC, and who still serves as dad to Amy Laura and grandfather to Rachel and Emily.

It all comes down to silence.

Our Hebrew kinfolk have it right.
“Adonai” substituted for the divine name.
“I will be what I will be,” Moses heard from the burning bush.

Or old St John of the Cross,
God is “No lo se que.”
Or St Anselm, God is “that which nothing greater can be conceived.”
The “still small voice,” Dr Powers taught us, really means no voice at all.
An indecipherable whisper,
Like a breeze.

I have spent my adult life word-smithing,
searching for just the right words for the subject or occasion,
looking for beautiful pearls of wisdom.
Which is a joyful gift, this passion for expression.
And yet, there have been times when words have gotten in the way of truth.
“Less is more.”
All language, sooner or later, leads to quietness.

Pray?
Yes: ask, beg, praise, intercede, confess–as we must.
But prayer to God ends with mouths shut,
hands still.
Like the silent sitting-together with a friend.
Or the peace which descends after beautiful music,
clapping be damned.

 

[Meghan Florian] Kierkegaard, Malick, and the Soul in Need

We’re delighted to welcome Meghan Florian back to ProfligateGrace.com, this time with a commentary on Terrence Malick’s _To the Wonder_.  Thank you, Meghan, for this wonderful (sic) piece!

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Terrence Malick’s new film, To the Wonder — haunting, beautiful, and at times troubling — was the last film Roger Ebert ever reviewed. In his review, he noted that the film leaves a great deal up to the viewer; motivations are often unclear, and the plot offer no clear pattern. Instead Malick paints a landscape of wide open spaces, shifting light, and endless skies, beneath which dance troubled people, longing for connection, trying to love one another, and failing again and again. Malick gives us none of the Hollywood romance we’re accustomed to. Instead, he depicts the failures of human love, interwoven with the transformation of divine love. The characters Malick creates can, arguably, be most clearly understood in light of a Kierkegaardian love ethic. I like to think of To the Wonder as Works of Love: The Movie. Read more

On Kierkegaard’s 200th Birthday

Hans Ulrich has been very kind about my work.  He suggested to me once in conversation that, while my first book (Kierkegaard and the Treachery of Love) is about Kierkegaard, my second book (Conceiving Parenthood:  American Protestantism and the Spirit of Reproduction) is my attempt to inhabit Kierkegaard.  And so is my third.  Teaching Kierkegaard’s texts is a joy, but I am not terribly invested in creating more Kierkegaard scholars per se.  I am happiest when one of his texts surprises a young, pious student into the realization that Christianity is often more amenable to delicate fairy tales than to managerial plans, logical proofs, or other sorts of ecclesial body-armor. Read more

London Calling

the_clash

There will (probably) be no guitar-smashing in “War and the Christian Tradition,” but I encourage DDS students to sign up for it anyway.

The English talking heads are dignifiedly divided on the legacy of Lady Iron.  I skipped the big movie about her, choosing instead to replay favorite scenes from other movies (Billy Elliot, Brassed Off, The Full Monty) and to hula hoop to The Clash’s “London Calling.”  I recommend this intricate scene from Billy Elliot, set to “London Calling,” which draws me like a bee to blackstrap molasses to listen always again to “Clampdown.”  (A writer for Mother Jones posted this related gem.) Steve Nallon, a Thatcher impersonator from the popular English show  “Spitting Image” said on this morning’s BBC that she was fun to mimic because she was so straight forward .  She was brutally direct about the destruction going on under her name. Read more

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